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Carré Sainte-Anne

Temps de lecture : 2 minutes
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03
June 2026
Au 01 november 2026
Exposure

"Mirage" Exhibitions by Jaume Plensa at Carré Sainte-Anne

"Jaume PLENSA is part of the long tradition of Catalan sculptors, of which he is today the foremost representative, who have conceived their work in a dialogue between Mediterranean memory and universality. For several decades, the sculptor has been showcasing a body of work on the international stage that questions the human condition in the context of public space. From the famous Crown Fountain at Millennium Park in Chicago to his installation at the San Giorgio Maggiore Abbey for the Venice Biennale in 2015, his silent figures translate into space a deep meditation on identity, vulnerability, and language. Bodies woven from letters, intertwined alphabets, faces with closed eyes absorbed in a dense interiority: this iconography suggests that humanity is a text in the making, creation a palimpsest of languages and cultures. Following its reopening in 2025 with the JR exhibition, Carré Sainte-Anne also asserts a southern and universal ambition, both heritage and contemporary, aware of the diversity and richness of its roots. After discovering and loving this place for "the intensity that emanates from its walls, its stones, and its light," Jaume PLENSA will propose a large-scale installation this summer, designed for the verticality of the nave and its unique history, a rare encounter questioning the notions of contemplation and elevation, as well as the ability of contemporary art to weave connections between memories and territories. Numa HAMBURSIN, curator of the exhibition Biography Born in Barcelona in 1955, Jaume Plensa is an essential figure in international contemporary sculpture, much of whose work is specifically designed for public space. His sculptures are present around the world: "Crown Fountain" at Millennium Park in Chicago; "We" at the foot of The Shard in London; "Water’s Soul" in Jersey City facing Manhattan; "Julia" on Plaza de Colón in Madrid; "The House of Light and Love" in Taipei. In France, his works can be seen in front of the Musée des Beaux-Arts in Caen, at Port Vauban in Antibes, Place Masséna in Nice, and Place des Ormeaux in Valence. Numerous museums in Europe, the United States, and Asia have showcased Plensa's works. Among his major exhibitions are the one at the Fundació Joan Miró in Barcelona in 1996, which was later presented at the Jeu de Paume National Gallery in Paris and at Malmö Konsthall in Sweden the following year; and "Genus and Species" at the Nasher Sculpture Center, Dallas, Texas in 2010. In 2011, a large selection of his sculptures was exhibited at the Yorkshire Sculpture Park in West Bretton (UK), which earned this institution the Most Magnificent Attraction award in 2011. His work was recently exhibited at the Museum of Art and Archaeology in Valence as part of a public commission, as well as at the Fundación Telefónica in Madrid. In June 2025, he presented "Forgotten Dreams" as part of Art Basel Unlimited, confirming his recognition on the global art scene. In the fall of 2025, a major retrospective was dedicated to him at the Frederik Meijer Gardens & Sculpture Park in Michigan (USA), one of the largest sculpture parks in North America. A recipient of numerous national and international awards, including the National Fine Arts Prize awarded by the Catalan government in 1997, Jaume Plensa was made a Knight of Arts and Letters in France in 1993. He was awarded an honorary doctorate from the School of the Art Institute of Chicago in 2005. In Spain, he received the National Fine Arts Prize in 2012 and the prestigious Velázquez Prize in 2013. With "Together," an exhibition on the sidelines of the 56th Venice Biennale at the Basilica San Giorgio Maggiore, Jaume Plensa won the Global Fine Art Award for Best Public Outdoor Installation in 2015. In 2025, he received the Lifetime Achievement Award from the International Sculpture Center. (Based on Galerie Lelong) Practical Information Address: 2, rue Philippy, 34 000 Montpellier Opening Hours: Tuesday to Sunday, 10am-1pm and 2pm-6pm except from June 16 to August 30: 11am-1pm and 2pm-7pm
2 Rue Philippy 34000 Montpellier
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Visites guidées

Visites hebdomadaires :

  • Vendredi à 16h
  • Samedi et dimanche à 11h et 16h

Visites familles :

  • Mercredi et dimanche à 11h et 15h

Visites de groupes :

Réservation obligatoire par mail visites@montpellier.fr ou en envoyant le formulaire ci-dessous complété :

Formulaire de réservation visites de groupes

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Histoire

Lieu emblématique de Montpellier, l’ancienne église Sainte-Anne est l’édifice le plus élevé de l’Écusson (68 m). De style néogothique, il fut construit entre 1866 et 1872, à l’initiative de Jules Pagézy, alors maire de la ville, sur l’emplacement d’une ancienne église du 13e siècle. 

Désacralisée à la fin des années 1980, elle fut transformée par la municipalité en un espace d’exposition dédié à l’Art contemporain : le Carré Sainte-Anne. Pendant plus de 25 ans, l’immense nef de 600 m2 a proposé une ligne artistique exigeante, offrant des propositions hors des sentiers battus. L’espace a accueilli de nombreux artistes majeurs, comme Marc Desgrandchamps, Gérard Garouste, Bernard Pagès, Hervé Di Rosa, Manuel Ocampo ou encore Jean-Michel Othoniel. 

En 2017, le lieu a dû fermer ses portes, car sa structure était devenue trop fragile. La municipalité a entrepris un grand programme de préservation et de restauration.

Venir au Carré Sainte-Anne

En tramway

  • Ligne 1 : station Comédie et station Corum
  • Ligne 2 : station Comédie et station Corum
  • Ligne 3 : station Observatoire
  • Ligne 4 : station Saint-Guilhem Courreau
  • Ligne 5 : station Saint-Guilhem Courreau

À vélo/ moto

Parking Comédie gratuit au N-1. Entrée par le boulevard Sarrail réservée aux vélos et deux-roues motorisés. Le parking dispose de :

  • 140 places vélos en libre accès
  • 80 places vélos dans les véloparcs (gratuit pour les détenteurs du Pass Gratuité)
  • 15 places pour les vélos cargos
  • 1 atelier de maintenance à disposition
  • 55 places pour les deux-roues motorisés